"The set was really hot and uncomfortable, and that leather gear - plus I was padded as well," Hibbert says. ![]() "I think if I didn't have that mask on, you'd see that I was bright red and embarrassed beyond comprehension," he says.Īnd yes, Hibbert says, the outfit is as uncomfortable as it looks. It was two days' work, and he just said, 'Go nuts.' So I did." "He and I did like a little psychodrama where he was, you know, being dominant and I was being passive. Since the Gimp has no actual lines, the audition was an unusual one. "You could tell, even by the script, this was going to be a pretty special film," Hibbert says. Ronnie Butler Actor and writer Steven Hibbert was the masked man in Quentin Tarantino's cult classic. When Tarantino was writing and casting Pulp Fiction, he asked if Hibbert wanted to come read for the part of the Gimp. Back in the early '90s, Hibbert was part of the comedy troupe The Groundlings, and Tarantino would come and perform with him in improv shows. Hibbert says his journey to the role started with a friendship with Tarantino. "Not actively so, but they're 14, 12 and 10, so they're a little young for Pulp Fiction still." "I've kept it from the children up until this moment," actor and writer Stephen Hibbert, who played the character, tells host Arun Rath. The Gimp has become an emblem of creepiness - an essential part of the adrenaline machine that was Pulp Fiction. He's kept locked up, the willing slave of two shop owners, and makes an appearance in one of the most troubling scenes in recent film history (see a clip below). Clad head-to-toe in studded black leather, with a zippered hood that allowed only his manic eyes to peer through. The character, who didn't have a single line in the film, was still extremely memorable. The movie introduced the world to a number of now-legendary characters, including a very mysterious one: the Gimp. Twenty years ago, Pulp Fiction took that same award and triggered writer-director Quentin Tarantino's ascent to the A-list. It also almost makes you wonder if the famed club kid Leigh Bowery, known for covering and obscuring his face in the name of a strong look, is on Kanye’s mood board? Kim’s look, too, recalls a particularly iconic Bowery outfit.The Cannes Film Festival awarded of its highest prize, the Palme d'Or, to the Turkish film Winter Sleep on Saturday. West, too, has kept his face covered in recent months, including for both DONDA events. The look, of course, seemed to recall an avant-garde take on looks found rather frequently in BDSM subculture, but also called to mind Maggie Cheung’s catsuit in the 1996 film Irma Vep and, actually, more than a few looks that have stomped down the runway of RuPaul’s Drag Race over the years (including ones worn by Alaska Thunderfuck and Vanessa “Vanjie” Mateo). ![]() A braided ponytail flowed from the top of her mask and extended past her waist. Suggesting that Kim can cover her entire face and still be an iconic and instantly recognizable figure, she wore a shiny black gimp mask from Balenciaga with matching black, form-fitting separates and heels. In other words, its possible Kim’s choice of attire had a deeper meaning. Apparently, Kanye has been thinking about the creative direction for the album for quite some time. Their DONDA fits actually recall the Balenciaga costumes the pair wore for Halloween, 2020. Kanye enlisted Balenciaga creative director Demna Gvasalia for creative input for the event, which apparently included designing a special full-body suit for Kim.Īlthough, interestingly, this isn’t the first time Kim and Kanye have matched in face-covering Balenciaga. ![]() Kim was in attendance last week for Kanye’s second listening party for DONDA-the album that will allegedly be released this week-and dressed accordingly. Kim Kardashian West and Kanye West may be legally separated, but that won’t stop the pair from bonding over some avant-garde Balenciaga face masks.
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